Our mission at Yume Japanese Gardens is to acquaint you with the cultural heritage of Japan, in all its depth and richness. Our expanding museum plays a large role in this, with rotating and permanent exhibits of old and new Japanese art and handicrafts. These range from displays of hanging scrolls and wood block prints to fans and kimonos, as well as of ceramics, metalwork, and sculpture. Check here often to stay abreast of our varied offerings.
Vase Variations: The Artistry of Ikebana Vessels
Our newest permanent exhibition offers a unique window into Ikebana, the traditional Japanese art of flower arranging.
Ikebana arose about 550 years ago, born of placing flowers at altars in Buddhist temples. Unlike Western flower arranging which focuses on blooms and blossoms, Ikebana gives equal weight to texture, form, and structure, and to stems, leaves, and branches. And not least to vases – designed and mindfully chosen on the basis of their materials, size, shape, finish, and color to heighten the contemplative, Zen-like nature of a traditional Japanese floral composition.
From the first containers made of iron, Ikebana vases have evolved as the art of flower arranging spread from the Japanese nobility to commoners. Various schools of Ikebana also developed, pursuing differing arrangement principles. The vases used in all of them share a purity of purpose designed to complement but not compete with the creations they hold.
The vases on view at Yume are drawn from our collection of more than 200 Ikebana vessels, the largest and widest-ranging such holding in the United States. Many are more than a century old, others are contemporary, and most are handmade by Japanese artisans from bamboo, bronze, ceramics, lacquer, clay, or glass. They illustrate an amazing breadth of design and materials, and accompanying photographs of flower arrangements show how they are used in the different schools of Ikebana practice.
Splendor in Cloth:Traditional Japanese Wedding Kimonos
Few things are so closely associated with Japan by Westerners as the kimono. The examples in this permanent exhibit are worn at traditional weddings and are outstanding in their workmanship and beauty.
Stitched together out of cut pieces like Western clothes, the robe-like kimono emerged in the latter half of the fifteenth century. Because all kimonos share a simple straight-lined form, it is the lovely painterly decorative designs on them that lend individuality to each garment. Often the themes of such designs are flowers or birds in many colors, but they may also be depictions of clouds, water or leaves, or of scenes associated with poems, songs, or novels.
Although most Japanese today require help to put on a formal kimono and tie the obi or sash that secures it so that the fall of the garment achieves an elegant appearance, beautiful kimonos are still common, if not commonly worn. There are kimonos for men, women, and children, and for formal and felicitous occasions such as graduation and coming-of-age ceremonies, mourning, and New Year’s festivities. Those for traditional weddings, such as in our display, are of silk and are especially elaborate. Hand-painted and embroidered, they can cost thousands of dollars.
Mingei: Old Japan on Hand
The human touch in folk crafts in Japan was largely brushed aside by the country’s rapid modernization in the late 19th and early 20th centuries. In response, there has arisen a folk art preservation movement called mingei. It focuses on the beauty in objects created by average people that are practical and used in daily life.
Our permanent exposition, “Mingei: Old Japan on Hand,” shows the movement to be a distinctly Japanese appreciation of the traditional. Mingei challenges narrow definitions of art by focusing on utilitarian items made by their everyday users, rather than on refined works from professional artists.
The collection includes objects spanning more than 200 years. Among them are a straw barrel and porcelain cups to store and drink Japanese rice wine, or sake, and brushes tipped with deer, horse, rabbit, or squirrel hair to draw calligraphy and make ink-wash paintings. You’ll find garments, too – kimonos and obi sashes – as well as a rustic iron hearth and traditional hasami, or sewing scissors, forged by an ironmonger from a single piece of steel and reflecting the skills of sword makers applied to a household item.
With “Mingei: Old Japan on Hand,” we celebrate nameless creators who used materials as common as themselves – stone, ceramics, textiles, paper, bamboo, lacquer, and wood – to make functional things that are humble, but nonetheless of value, because they preserve the sense of the personal in an era of mass production.
Exquisite Visions: Japanese Hanging Scrolls
An essential element of classical refinement in every temple and tea house in Japan and in many traditional homes is the beautiful kakemono, or hanging scroll. On permanent exhibition from our large collection are scrolls dating from the 18th to the 20th centuries and from various regions of Japan. Painstakingly crafted artworks, they feature hand-painted images or ink-wash sketches or calligraphy on Japanese paper or brocaded silk fabric.
The pictorial compositions on kakemono are delightfully varied. In addition to birds such as stately cranes and rustic quail, scrolls may depict delicate flower stems and blossoms, beckoning trees, clouds, hills and mountains, and allegorical scenes, such as depictions of pilgrim journeys and Buddhist images. Bold calligraphy illustrates other scrolls, with famous poems a favorite theme.
As different as one kakemono may be from another in subject, all share in common that each is displayed with careful attention to the spiritual feeling that it lends to its surroundings, in accord with the special nature of a season, holiday, or occasion. This consideration is paramount in the tea ceremony, for example. This subdued but distinctive mood-setting quality heightens the exquisiteness of hanging scrolls and makes this genre of art avidly sought by Western admirers and a cherished component of Japanese culture.